"Aylesbury" Fonts :: Shared Description

There are thought to be 22 (or 23) so-called "Aylesbury" fonts to be found in the three adjacent counties of Buckinghamshire (17 fonts + 1 base), Bedfordshire (3) and Northamptonshire (2).
There is a separate shared description about the churches that house these fonts here LinkExternal link

Note: The number of these fonts is reckoned as either 22 or 23 as the example at Wing retains only its base.

The fonts get their name from the example at St Mary's church in Aylesbury - the name probably being selected for three reasons - that Aylesbury is by far the biggest and most well-known town; that the example there is a particularly good one; and finally that Aylesbury is reasonably central to the area where they are found.
They date from around the end of the C12th making them about 800 years old - though a few have been re-cut at a later date, and the example at Wing retains only its base. Also the Dinton font is thought to be of a somewhat later date.
The finest four examples are considered to be the ones at Aylesbury, Great Kimble, Houghton Regis and Weston Turville.
It is thought that the craftsmen responsible for their carving probably worked - or were trained - at St Albans Abbey, as carvings at that cathedral, notably on a late C12th doorway, resemble some of the carvings found on the fonts.
The general shape of the fonts is a circular-rimmed chalice-like bowl joined to its base by a band, often carved as a rope. The bases fall mainly into two categories, either simple and circular, or square with each face having one or two semicircular carved panels {curves upwards} known as "lunettes" or "cushions". This square base with either one or two "lunettes" is the main style to be found among the fonts, and other bases may therefore not be original. For example, the base of the Old Linslade font is octagonal and is I think of a considerably later date.
Most bowls have a frieze running below their rims - these vary dramatically in complexity from simple geometric designs to depictions of flowers and animals.
In many cases, the fonts are older than the churches which house them, as many churches were substantially rebuilt in the C13th - C15th and others such as Saunderton have had disasters befall them at a later date. One notable exception is the gem of a church at Little Missenden, the core of which dates from Saxon times.
The stone from which the fonts were made was quarried at Totternhoe and is an unusually hard variety of chalk, itself a form of limestone. This white stone was much employed in the area, in particular as the white squares alternating with dark flint squares in the chequerboard designs seen on many local churches.
The two Northamptonshire fonts (Duston and Eydon) though considered "Aylesbury" fonts may just be coincidentally similar, as they are actually both quite different to the main style and are geographically quite separate.
An Alphabetical list of the 22 fonts (and one base) with some notes follows: (All are in Bucks unless otherwise stated)
Aylesbury - St Mary's - Fine example after which others are named. Square base with double semicircles.
Barton-le-Clay, Beds - St Nicholas - Recut in C15th. Only rope moulding original.
Bledlow - Holy Trinity - Probably a local copy of Great Kimble font. Square base with double semicircles.
Buckland - All Saints - Cracked but original. Circular base.
Chearsley - St Nicholas - Octagonal shaft (?original). Circular base.
Chenies - St Michael - Re-cut (c.C15th). Square base. Single unadorned semicircles. Rope tracery.
Dinton - SS Peter & Paul - Later example. Circular base.
Duston, Nhants - St Luke - Quite plain compared with others. Geographical outlier.
Eydon, Nhants - St Nicholas - Unusual octagonal base - different style. Geographical outlier.
Flitwick, Beds - SS Peter & Paul - Somewhat cracked. Quite plain.
Great Hampden - St Mary Magdalen - Fairly plain. Circular base. Church on bridleway not road.
Great Kimble - St Nicholas - Fine example. Some paint fragments (?age). Square base with double semicircles.
Great Missenden - SS Peter & Paul - Octagonal rather than circular rim to "cup". Square base with single semicircles.
Haddenham - St Mary the Virgin - Unusual dragon ornamentation. Base replaced.
Houghton Regis, Beds - All Saints - Fine example. Celtic-style ornamentation. Square base with single plain semicircles.
Little Missenden - St John the Baptist - Good example in beautiful old church. Square base with single semicircles with fleur-de-lys decoration.
Ludgershall - St Mary the Virgin - Rather squat version. Quite worn. Geographically somewhat distant.
Monks Risborough - St Dunstans - Good example in bright airy church with other interest. Circular base.
Old Linslade, Beds* - St Mary's - Unusual animal carvings below rim. Somewhat cracked.
Pitstone - St Mary the Virgin - Apparently Re-cut (C15th?). Circular base (on square plinth). Redundant church in care of CCF.
Saunderton - SS Mary & Nicholas - Church C19th after C12th church destroyed by fire. Font somewhat damaged. Circular base.
Weston Turville - St Mary the Virgin - Fine example. Square base with single semicircles with acanthus style decoration.
Wing - All Saints - Only base remains. Church dating back to Saxon period with famous Saxon crypt.
*(Old Linslade used to be in Bucks)
by Rob Farrow
Related descriptions Selection is automatic and approximate, it might not always select closely matching descriptions

53 images use this description. Preview sample shown below:

SP8205 : Great Kimble - St Nicholas - Norman font with flowers by Rob Farrow
SP7408 : Haddenham - St Mary's - "Aylesbury" font by Rob Farrow
SP8104 : Monks Risborough - St Dunstan's - "Aylesbury" font by Rob Farrow
SP8822 : Wing - All Saints - "Aylesbury" font lunette by Rob Farrow
SP9001 : Gt. Missenden - SS Peter & Paul - Norman font by Rob Farrow
SP7210 : Chearsley - St Nicholas - Font detail by Rob Farrow
SP9001 : Gt. Missenden - SS Peter & Paul - Font base detail by Rob Farrow
SP8113 : Aylesbury - St.Mary's - Norman font - Base by Rob Farrow
SP9126 : Old Linslade -  "Aylesbury" font - rim carving detail (4) by Rob Farrow
SP7702 : Bledlow - Holy Trinity - "Aylesbury" Font (2) by Rob Farrow
SP7210 : Chearsley - St Nicholas - Early C13th font by Rob Farrow
TQ0198 : Bowl of "Aylesbury" Font in St Michael's, Chenies  by Rob Farrow
SP9126 : Old Linslade -  "Aylesbury" font - rim carving detail (2) by Rob Farrow
SP8205 : Great Kimble - St Nicholas - Font - rim carving detail by Rob Farrow
SP7702 : Bledlow - Holy Trinity - "Aylesbury" Font  - Base by Rob Farrow
SP8812 : Buckland - All Saints - Norman "Aylesbury" font (2) by Rob Farrow
SP8510 : Weston Turville - St.Mary's - Font - carving detail by Rob Farrow
TQ0198 : Side view of "Aylesbury" Font in St Michael's, Chenies by Rob Farrow
SP7210 : Chearsley - St Nicholas - "Aylesbury" font by Rob Farrow
SP7702 : Bledlow - Holy Trinity - "Aylesbury" Font (1) by Rob Farrow
SP7407 : Haddenham - Aylesbury Font - Animal carving by Rob Farrow
SP7901 : Saunderton - SS Mary & Nicholas - Font detail by Rob Farrow
SU9298 : St John the Baptist - Norman "Aylesbury" font by Rob Farrow
SP8510 : Weston Turville - St.Mary's - Font - Base lunette (2) by Rob Farrow
SU9298 : St John the Baptist - "Aylesbury" font - base detail by Rob Farrow

... and 28 more images.

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Created: Wed, 4 Jun 2014, Updated: Fri, 18 Jul 2014

The 'Shared Description' text on this page is Copyright 2014 Rob Farrow, however it is specifically licensed so that contributors can reuse it on their own images without restriction.

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